
Domhnall Gleeson’s Editorial Excellence: Why The Paper’s Leading Man Is Television’s Most Unlikely Style Icon
In what can only be described as the most unexpectedly stylish television event of the season, Peacock has unveiled the trailer for The Paper—a sartorially conscious spinoff that promises to bring the same documentary-style brilliance that made The Office a cultural phenomenon. But this time, darlings, we’re trading Scranton’s corporate monotony for the deliciously chaotic world of Ohio journalism, where deadlines meet haute couture sensibility.
The premise alone is pure editorial gold: our beloved documentary crew returns “several years” later, discovering the historic yet delightfully struggling Toledo Truth Teller newspaper. It’s giving major The Devil Wears Prada energy, but with that signature mockumentary flair we’ve come to worship.

Leading this fashionable journalistic renaissance is Domhnall Gleeson as Ned Sampson, the eternally optimistic editor-in-chief whose wardrobe choices alone deserve their own Vogue spread. Gleeson, channeling serious Anna Wintour determination with a Michael Scott heart, promises to elevate this struggling publication from fashion footnote to front-page fabulous.
The casting is absolutely divine, featuring Emmy-nominated White Lotus goddess Sabrina Impacciatore as Esmeralda, whose character embodies every fashion writer’s secret fantasy—crafting clickbait with the confidence of a Milan runway model. Her headline “You Won’t Believe How Much Ben Affleck Tipped His Limo Driver” is giving major Harper’s Bazaar digital strategy vibes, and we’re absolutely living for it.

What makes this series particularly intriguing from a fashion perspective is its meta-commentary on modern media consumption. The show’s self-aware approach to journalism mirrors fashion’s own evolution—from traditional print to digital disruption, from established gatekeepers to democratized content creation. It’s Emily in Paris meets The Morning Show, with that distinctly American workplace comedy DNA.

The ensemble cast—featuring Chelsea Frei, Melvin Gregg, Gbemisola Ikumelo, Alex Edelman, and Ramona Young—represents the kind of diverse, dynamic energy that fashion’s new generation demands. These aren’t just actors; they’re style statements waiting to happen, each bringing their own aesthetic to this beautifully chaotic newsroom narrative.
Co-created by television visionaries Greg Daniels and Michael Koman, The Paper launches exclusively on Peacock with a sophisticated rollout strategy that fashion brands would envy. Four episodes debut September 4th, followed by weekly drops through September 25th—creating the perfect water-cooler conversation cadence.
The trailer’s most delicious moment features The Office alum Oscar Nuñez returning as Oscar Martinez, delivering a scene-stealing “Not again” that perfectly captures how we all feel about reboots—skeptical yet secretly thrilled.
This isn’t just television; it’s a cultural statement about authenticity, ambition, and the beautiful messiness of creative industries. Whether you’re a fashion insider or simply someone who appreciates exquisite storytelling with impeccable timing, The Paper promises to be this season’s most unexpected style icon.

