
Rebecca Ferguson’s Ferrari Moment: Why Her Rainbow Coat Is This Season’s Boldest Statement
Rebecca Ferguson has never been one to play it safe on the style front, and her latest appearance at The French Salon inside Claridges Hotel on Thursday solidified her status as one of cinema’s most daring dressers. Attending the “Mercy” photo call in London, the actress delivered a masterclass in sartorial boldness, courtesy of stylist Tom Eerebout and Ferrari’s fall 2025 collection.
The pièce de résistance? A saturated, rainbow-hued leather coat so gloriously glossy it practically demanded its own spotlight. This isn’t your typical premiere polish—it’s rebellion wrapped in high-shine luxury. The kaleidoscopic outerwear, paired with acid-wash baggy jeans, created a striking juxtaposition that perfectly encapsulates Ferguson’s nonconformist aesthetic. While some might expect traditional tailoring for such an occasion, the Swedish actress has built her fashion reputation on subverting expectations.

But darlings, let’s discuss the footwear—because platform enthusiasts, this is where things get truly elevated. Ferguson selected the Chiltern style by Roker Atelier: lofty platform heels in a rich burgundy hue, featuring towering block heels perfectly balanced by stacked platforms at the front. The slightly pointed-toe silhouette, crafted in glossy patent leather, echoed the high-shine texture of her statement coat with delicious cohesion.
This choice is quintessentially Rebecca. The actress has demonstrated an unwavering commitment to sky-high platforms throughout her red carpet journey. At September’s Venice Film Festival alone, she showcased not one but two show-stopping platform moments: black-and-white Thom Browne platform heels and chunky black Roker Highbury ankle boots at “A House of Dynamite” premiere. It’s become her signature—literal and figurative elevation.

What makes this particular look so compelling is its authenticity. Ferguson’s styling choices consistently lean into colour, texture, and attitude rather than conventional glamour. While she’ll undoubtedly transition to gown territory for the premiere—she always does—there’s typically an edge lurking beneath the sequins. This photocall ensemble feels refreshingly honest, a reflection of an actress who refuses to be boxed in by Hollywood’s traditional style expectations.

“Mercy,” hitting theaters January 23, takes place in 2029 Los Angeles, where Ferguson portrays Judge Maddox opposite Chris Pratt’s Detective Chris Raven, a man accused of murdering his wife who has merely 90 minutes to prove his innocence to the advanced AI judge he once championed. Annabelle Wallis rounds out the cast.
If Ferguson’s fashion choices are any indication, expect nothing conventional from her performance either.

