
The Backless Revelation: Kate Hudson’s BAFTA Gown Is a Lesson in Strategic Glamour
There are actresses who attend award ceremonies, and then there are actresses who transform them. Kate Hudson, perennial golden girl of both Hollywood and the fashion firmament, belongs irrevocably to the second category — and at the 2026 BAFTA Film Awards, held at London’s Royal Festival Hall on February 22nd, she reminded every single person in attendance exactly why.
Hudson, nominated for Leading Actress for her performance in Song Sung Blue — a role that has also earned her an Oscar nomination and represents a career-defining creative peak — arrived on the Southbank in a red off-the-shoulder corset dress that was, quite simply, breathtaking. The gown commanded attention from every conceivable angle, its structured silhouette cinching and celebrating in equal measure, while the rich scarlet hue burned against the London evening with the kind of confidence that only a woman completely at ease with herself can project.

But the true masterstroke? The back. Hudson’s sleek Old Hollywood-inspired updo — a chignon so impeccably executed it deserves its own standing ovation — was styled with clear, deliberate purpose: to reveal the gown’s extraordinary backless design, where a single architectural strip of red fabric traced horizontally across her shoulder blades, framing the exposed skin with a restraint that made the reveal all the more devastating. She stepped out alongside partner Danny Fujikawa, the pair making an undeniably magnetic entrance together.
The jewelry, courtesy of the storied French house Chaumet, was chosen with the precision of someone who understands that accessories are a conversation, not a footnote. Fan-shaped diamond earrings and a commanding statement necklace shimmered against her décolletage, adding celestial sparkle without ever competing with the drama of the dress itself. Makeup artist Naoko Scintu completed the picture with a complexion that glowed with what she described to WWD as a “sun-kissed luminosity” — skin illuminated from within, healthy and radiant, the very definition of effortless glamour.

Behind this impeccable vision stands stylist Sophie Lopez, whose work with Hudson this season has been nothing short of a masterclass in range: draping red satin with black gloves, a diaphanous chartreuse cape number, leather and lace, shredded silver — each look a distinct chapter in an increasingly thrilling fashion narrative.

This BAFTA nomination arrives exactly 25 years after Hudson’s first, for Almost Famous. A quarter century later, she is not simply returning to the spotlight. She is reclaiming it — one extraordinary gown at a time.

