Encore in Eternity: Eight-Time Grammy Nominee Richard Smallwood Passes at 77
In the grand tapestry of cultural influence, where couture meets conviction and style intersects with soul, we find ourselves mourning a titan whose compositions dressed the spiritual wardrobes of millions. Richard Smallwood, the eight-time Grammy-nominated gospel virtuoso whose melodies became as essential to Sunday morning elegance as a perfectly tailored suit, has taken his final bow at 77.
The maestro’s passing on Tuesday, December 30, at Brooke Grove Rehabilitation and Nursing Center in Maryland, marks the end of an era where gospel music wasn’t merely heard—it was worn like the finest silk, draped across sanctuaries with the sophistication of a Parisian runway.
“We are saddened to announce the passing of world-renowned artist, songwriter, and musician, Richard Smallwood,” his family declared via his verified Instagram—because even in grief, the modern icon understands the importance of direct communication with one’s devoted following. “The family asks that you respect our privacy during this difficult time, while helping to celebrate the legacy he leaves behind and the gifts he unselfishly shared with the world.”
A Howard University alumnus with impeccable credentials, Smallwood didn’t simply create music; he curated experiences. Founding the Richard Smallwood Singers in 1982, he architected a distinct sound that resonated with the aspirational middle class—predominantly Black Christian young adults who understood that faith and refinement weren’t mutually exclusive. Think of it as the sartorial equivalent of Michelle Obama’s first inaugural gown: accessible yet extraordinary, traditional yet revolutionary.
His subsequent formation of Vision, a backing choir that became his creative atelier through the 2010s, solidified his position as gospel’s premier tastemaker. Eight Grammy nominations adorned his career like perfectly placed accessories, including three for best contemporary soul gospel album. His 2012 nomination for “Trust Me” proved that true style—musical or otherwise—never ages.
But darling, let’s discuss his signature pieces. “I Love the Lord,” performed by Whitney Houston for “The Preacher’s Wife,” became the little black dress of gospel anthems—timeless, elegant, universally flattering. When Destiny’s Child covered “Total Praise” in their “Gospel Medley,” it was the ultimate fashion moment: heritage brand meets contemporary icon.
The Gospel Music Association aptly noted that Smallwood “clearly and solidly changed the face of black gospel music,” his “impeccable blend of classical movements with traditional gospel” earning multiple Dove Awards, Stellar Awards, and a Grammy—the triple crown of spiritual sophistication.
In his 2019 autobiography, also titled “Total Praise,” Smallwood demonstrated the ultimate fashion-forward move: vulnerability as the new black. Discussing his battle with depression showed that even icons remove their armor.
Complications from kidney failure, alongside mild dementia and various health complications, ultimately stilled the hands that had styled generations. Yet his legacy remains perfectly pressed, ready to inspire countless encore performances.
